Music, philosophy and transcomplexity

A conjunction between man, melody, thought, and reality

Authors

DOI:

https://doi.org/10.59654/e909be83

Keywords:

Music, philosophy and transcomplexity

Abstract

This document aims to demonstrate the relationship between music and thought, two forms of art and expression, which are oriented towards developing a balance between science, art, logic and emotion, which demonstrate the need of man in hold an integral and transcendental vision of its context, in an attempt to conceive a profuse and integrating perception of reality. With the emergence of transcomplexity, man is faced with the possibility of building an open, reflective and integrating vision of his environment, with the intention of giving new meaning to his perception of reality from a flexible and unfinished position. However, in the philosophical study of music, this has shown us from its beginnings some aspects that transcomplexity has provided to man in contemporary times. So, will music be a precedent for the transcomplex codex? Does its philosophical nature allow us to glimpse a complex and integrating relationship between man and his environment? Is music the beginning of the gestalt awakening? For this reason, the author uses a journey between music and philosophy, seeking to overcome classical borders
in its appreciation and study, demonstrating its importance in the field of transcomplexity in his
attempt to build new representations to see life and resignify reality.

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Author Biography

  • Gregth Raynell Hernández Buenaño, Metropolitan International University

    Dr. en Educación. Metropolitan International University. Director de Asuntos Académicos. gregthhernandez@gmail.com

References

Aguilar, A. (2017). Filosofía y Música. Universidad Panamericana. https://www.youtube.com/watch?v=zYXWmqwILY8

Dilthey, Q. (1976). The Rise of hermeneutics, in P. Connerton (Dir), Critical sociology, Penguin.

Martínez, M. (2015). Epistemología y metodología en las ciencias sociales. Editorial Trillas.

Merleau-Ponty, M. (1976). Fenomenología de la percepción. Editorial Península.

Nicola, U. (2008). Atlas Universal de Filosofía. Manual Didáctico de autores, textos, escuelas y conceptos filosóficos. Editorial Océano.

Sacks, O (2009). Musicofilia: relatos de la música y el cerebro. Editorial Knopf.

Published

2024-01-12

How to Cite

Music, philosophy and transcomplexity: A conjunction between man, melody, thought, and reality. (2024). Revista Digital De Investigación Y Postgrado, 5(9), 167-174. https://doi.org/10.59654/e909be83

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